Indian Dance and Its Rich Tradition

Indian dance has a quite wealthy tradition. The tradition of Indian classical and folk dance has been completely discussed in Natya Shastra, the oldest surviving text of the globe on stagecraft. In the earlier days of the theatre, dancers mimed the story and the singers sang the dialogue with the instrumentalists accompanying them. Although the singers and the instrumentalists played considerable roles, it was the dancers who occupied a central position. Traditionally, most of these dancers had been attached to the Indian temples. Even nowadays, a quantity of the themes of Indian classical dance are mythological in nature.

Becoming a vast nation, the diverse places of India have offered their personal colour to this ancient classical tradition. Some of the acknowledged classical designs incorporate Kuchipudi of Andhra Pradesh, Bharatnatyam of Tamil Nadu, Odissi from Orissa, Kathakali of Kerala, Kathak from Pakistan and north India, and Manipuri of Northeast India. There are some other types like Mohiniaattam from Kerala and Sattriya from Assam. All these classical dancing designs have a robust regional connection. Even so, none of them can be named the representative of the complete subcontinent.

Kuchipudi: This Indian dance kind is from the state of Andhra Pradesh. It has derived its name from a compact village of Krishna district, exactly where the resident Brahmins practice this traditional dance type. The movements of this type are rounded, scintillating and quicksilver, and fleet-footed. It is performed with classical Carnatic music. The specialty of Kuchipudi is Tarangam, exactly where the dancers perform upon a brass plate, putting their feet upon its raised edges.

Bharatnatyam: This dance kind is accompanied by classical Tamil music and is inspired by the ancient sculptures of the temple of Chidambaram. The procedures of this Indian dance involve abhinaya or natya, which is the dramatic art of story-telling; nritta, the pure dance movements; and nritya, which is a mixture of nritta and abhinaya.

Odissi: This classical dance kind existed from the traditions of Nartaki, a dance that took place in royal courts; Mahari, who have been Orissan devadasis at the temple of Jagganath, Puri; and Gotipua, exactly where young boys had been dressed as girls. This dance consists of Mangalacharan, Battu Nrutya, Moksha, Pallavi, Abhinaya, and Dashavataar.

Kathakali: It originated from a style of dance-drama known as Ramanattam. This dance also follows some of the strategies of Krishnanattam. Kathakali derived its name from two Malayalam words which means story and functionality.

Kathak: This dance kind originated from northern India and traces its history to the nomadic bards known as kathakas. It has derived its name from the Sanskrit word katha that implies "story". The designs and strategies of this dance differ based upon the important gharanas or schools.

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